Verdi’s I Vespri Siciliani
The 70s saw a renewed interest in Verdi’s Vespri, but it’s this May, 1978, live performance from the Maggio Musicale in Florence which satisfies our emotional cravings for another of the composer’s musical feasts. And conductor Riccardo Muti makes sure we get a complete meal. Starting with a commanding and intense reading of the overture to the vengeful choral outbursts of the Sicilians’ massacre of the French, Muti is in total control of all his forces. His overall passion for this opera guarantees a great performance.
Although soprano Renata Scotto had sung the role of the duchess Elena previously, she arrived in Florence with a vocal presence new to her interpretation. Here she is so completely committed vocally and dramatically to the role, her singing takes on an emotional charge that she sustains throughout the work. Renato Bruson’s Monforte shows again the singer’s ability to sing every marking and note completely. He is able to shower the role with every emotional expression Verdi demands from his baritones. Bass Ruggiero Raimondi’s unique approach to Procida covers every piano and forte Verdi thought of giving his patriot. Raimondi’s scenes with Scotto are particularly lovely and searing; their understanding of Verdi’s intentions bring total satisfaction. Tenor Veriano Luchetti as Arrigo is not able to meet every vocal challenge as his three collegues do, but he keeps up dramatically. He does hold up his end vocally, however, in the long and heartfelt final trio with Scotto and Raimondi. It is one of Verdi’s most unusual and musically interesting sections in an opera filled with distinctive musical flavors. Even the audience’s hearty reactions seem to follow Muti’s expert guidance. This Vespri is live opera at its most rewarding.
Gala GL 100.611 3CD
