Archive for April, 2009

The University of Arizona Opera Theater’s The Rape of Lucretia Is Layered With Lyric Intensity. »

Sometimes an opera will reveal its artistic nature in a way the listener had not expected. That is what happened at the Opera Theater’s April 3rd performance of Benjamin Britten’s Rape of Lucretia. Composed after the success of his thoroughly orchestrated Peter Grimes, Britten chose to make his Lucretia a two-act chamber opera, with 13 [...]

Beloved Puccini…exquisite Minghella »

In today’s opera world, many opera companies are anxious to seek out theater directors to flesh out the story lines of the operas they are presenting; opera impresarios are overjoyed when they can find a director who can excite their audiences. From the reviews some of these productions receive online and in the press, [...]

  • For OPERA IN CINEMA;
    please go to LoftCinema.com

    Opera-Britannia.com

  • Pages

  • Categories

  • Archives


  • Living at the Opera welcomes your participation. Contributions are welcome on live performances, live recordings and first-hand experiences within the opera world. Please review content for clarity and spelling and include your copyright. Only articles submitted by Nick del Vecchio are copyrighted for Living at the Opera. Thank you.

    The articles on Rigoletto, L'Elisir d'amore, Khovanshchina, Macbeth, Boris Godunov, La Forza del destino and Wagner's Ring Cycle were first published in Transactions of the Association of Russian-American Scholars in the USA, Vol 33, 2004.

    The articles Primitive Russia Stakes Its Claim on Wagner's Ring, The Mariinsky Invasion and The Mariinsky's Boris Godunov Hits Its Mark were published in Transactions of the Association of Russian-American Scholars in the USA, Vol 34, 2006-2007.

    Living at the Opera is located in Tucson, Arizona.