Joyce Di Donato’s La Cenerentola with Alberto Zedda

rossini

This delightful performance on CD of Rossini’s Cenerentola was recorded live on 13 November 2004 at the ROSSINI IN WILDBAD festival. The cast gathered for this production exhibits the highest singing standards possible among today’s Rossini revivals. Joyce Di Donato’s Cenerentola is the total package. She not only sings in an effortless way, but her vocal warmth and innate understanding of what Rossini wanted from his Angelina is remarkable. The mezzo-soprano shares with Samuel Ramey, her compadre from Kansas, an exemplary feel for the Italian language. Of course, she has Alberto Zedda’s superb conducting guiding her. Zedda’s intense love for Rossini’s operas shows up in is his ability to get the cast to project exactly what the maestro feels and knows about the composer. Those fortunate to have heard him conduct Rossini’s Stabat Mater at the Rossini Opera Festival know him as an artist possessed with the composer’s music.

In fact, three members of the cast are regulars at ROF. Tenor Jose Manuel Zapata brings a vocal joy to his Prince Don Ramiro, and his dramatic connection with Di Donato is heartwarming, a requisite quality needed for this work. Bruno Pratico’s Don Magnifico expresses the total range of the character’s personality traits, from nasty to greedy and finally to sheepishly accepting Angelina’s love and generosity. His bass-baritone relishes Rossini’s music. Paolo Bordogna’s Dandini vocally and interpretively matches Practico’s output as he pretends to be the Prince and then revealing to Don Magnifico his valet status. Their second act duet brings out all of Rossini’s penchant for rhythmic humor. Rounding out the cast is bass-baritone Luca Pisaroni as Alidoro, the man who gets Cinderella to the ball. His voice has a pleasing edge to it and his diction totally expresses the feeling behind a character who doesn’t always get Pisaroni’s vocal warmth. Delightful!

G. Rossini La Cenerentola Naxos 2CDs 8.660192

Share and Enjoy:
  • Print
  • Digg
  • del.icio.us
  • Google Bookmarks
  • email
  • Reddit
  • RSS
  • StumbleUpon
  • Twitter
  • Yahoo! Bookmarks

Post a Comment

  • For OPERA IN CINEMA;
    please go to LoftCinema.com

    Opera-Britannia.com

  • Pages

  • Categories

  • Archives


  • Living at the Opera welcomes your participation. Contributions are welcome on live performances, live recordings and first-hand experiences within the opera world. Please review content for clarity and spelling and include your copyright. Only articles submitted by Nick del Vecchio are copyrighted for Living at the Opera. Thank you.

    The articles on Rigoletto, L'Elisir d'amore, Khovanshchina, Macbeth, Boris Godunov, La Forza del destino and Wagner's Ring Cycle were first published in Transactions of the Association of Russian-American Scholars in the USA, Vol 33, 2004.

    The articles Primitive Russia Stakes Its Claim on Wagner's Ring, The Mariinsky Invasion and The Mariinsky's Boris Godunov Hits Its Mark were published in Transactions of the Association of Russian-American Scholars in the USA, Vol 34, 2006-2007.

    Living at the Opera is located in Tucson, Arizona.