<?xml version="1.0" encoding="UTF-8"?>
<rss version="2.0"
	xmlns:content="http://purl.org/rss/1.0/modules/content/"
	xmlns:wfw="http://wellformedweb.org/CommentAPI/"
	xmlns:dc="http://purl.org/dc/elements/1.1/"
	xmlns:atom="http://www.w3.org/2005/Atom"
	xmlns:sy="http://purl.org/rss/1.0/modules/syndication/"
	xmlns:slash="http://purl.org/rss/1.0/modules/slash/"
	>

<channel>
	<title>Living at the Opera &#187; American opera</title>
	<atom:link href="http://livingattheopera.com/blog/category/american-opera/feed/" rel="self" type="application/rss+xml" />
	<link>http://livingattheopera.com/blog</link>
	<description></description>
	<lastBuildDate>Mon, 30 Jan 2012 03:03:31 +0000</lastBuildDate>
	<language>en</language>
	<sy:updatePeriod>hourly</sy:updatePeriod>
	<sy:updateFrequency>1</sy:updateFrequency>
	<generator>http://wordpress.org/?v=3.3.1</generator>
		<item>
		<title>The U of A&#8217;s Opera Theater&#8211;Potent Vocals and Incisive Dramatics Bring Veracity to G. Menotti&#8217;s Consul</title>
		<link>http://livingattheopera.com/blog/2011/12/14/the-u-of-as-opera-theater-potent-vocals-and-incisive-dramatics-bring-veracity-to-g-menottis-consul/#utm_source=feed&#038;utm_medium=feed&#038;utm_campaign=feed</link>
		<comments>http://livingattheopera.com/blog/2011/12/14/the-u-of-as-opera-theater-potent-vocals-and-incisive-dramatics-bring-veracity-to-g-menottis-consul/#comments</comments>
		<pubDate>Wed, 14 Dec 2011 23:45:30 +0000</pubDate>
		<dc:creator>Administrator</dc:creator>
				<category><![CDATA[American opera]]></category>

		<guid isPermaLink="false">http://livingattheopera.com/blog/?p=4843</guid>
		<description><![CDATA[<p>Posted in <a href="http://livingattheopera.com/blog/tumblog/articles/">Articles</a></p>More than half a century has passed since Gian Carlo Menotti&#8217;s The Consul* premiered at the Shubert Theater in Philadelpia in 1950. The opera, called his finest lyrical composition, ran in New York for eight months on Broadway picking up [...]]]></description>
		<wfw:commentRss>http://livingattheopera.com/blog/2011/12/14/the-u-of-as-opera-theater-potent-vocals-and-incisive-dramatics-bring-veracity-to-g-menottis-consul/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Adams, Nixon in China</title>
		<link>http://livingattheopera.com/blog/2010/03/21/adams-nixon-in-china/#utm_source=feed&#038;utm_medium=feed&#038;utm_campaign=feed</link>
		<comments>http://livingattheopera.com/blog/2010/03/21/adams-nixon-in-china/#comments</comments>
		<pubDate>Sun, 21 Mar 2010 16:36:15 +0000</pubDate>
		<dc:creator>Administrator</dc:creator>
				<category><![CDATA[American opera]]></category>
		<category><![CDATA[Other contributors]]></category>

		<guid isPermaLink="false">http://livingattheopera.com/blog/?p=2953</guid>
		<description><![CDATA[<p>Posted in <a href="http://livingattheopera.com/blog/category/american-opera/" title="American opera">American opera</a><a href="http://livingattheopera.com/blog/category/other-contributors/" title="Other contributors">Other contributors</a></p>From Seen and Heard International By: Bernard Jacobson Vancouver Opera, soloists, cond. John DeMain, dir. Michael Cavanagh, scenic designer Erhard Rom, costume designer Parvin Mirhady, lighting designer Harry Frehner, projections designer Sean Nieuwenhuis, choreographer Wen Wei Wang, sound designer Andrew [...]]]></description>
		<wfw:commentRss>http://livingattheopera.com/blog/2010/03/21/adams-nixon-in-china/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>The University of Arizona Mounts a Powerful &#8216;Crucible&#8217;</title>
		<link>http://livingattheopera.com/blog/2009/12/05/the-university-of-arizona-mounts-a-powerful-crucible/#utm_source=feed&#038;utm_medium=feed&#038;utm_campaign=feed</link>
		<comments>http://livingattheopera.com/blog/2009/12/05/the-university-of-arizona-mounts-a-powerful-crucible/#comments</comments>
		<pubDate>Sat, 05 Dec 2009 21:56:44 +0000</pubDate>
		<dc:creator>Administrator</dc:creator>
				<category><![CDATA[American opera]]></category>

		<guid isPermaLink="false">http://livingattheopera.com/blog/?p=2474</guid>
		<description><![CDATA[<p>Posted in <a href="http://livingattheopera.com/blog/tumblog/articles/">Articles</a></p>L to R Robyn Rocklein as Elizabeth Proctor, Jennifer Beauregard as Abigale Williams and Seth Kershisnik as John Proctor in The Crucible. © The Opera Theater took a big risk this year as part of its series of presenting contemporary [...]]]></description>
		<wfw:commentRss>http://livingattheopera.com/blog/2009/12/05/the-university-of-arizona-mounts-a-powerful-crucible/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Gershwin, Porgy and Bess</title>
		<link>http://livingattheopera.com/blog/2009/06/27/gershwin-porgy-and-bess-2/#utm_source=feed&#038;utm_medium=feed&#038;utm_campaign=feed</link>
		<comments>http://livingattheopera.com/blog/2009/06/27/gershwin-porgy-and-bess-2/#comments</comments>
		<pubDate>Sat, 27 Jun 2009 22:01:15 +0000</pubDate>
		<dc:creator>Administrator</dc:creator>
				<category><![CDATA[American opera]]></category>
		<category><![CDATA[Other contributors]]></category>

		<guid isPermaLink="false">http://livingattheopera.com/blog/?p=1569</guid>
		<description><![CDATA[<p>Posted in <a href="http://livingattheopera.com/blog/tumblog/articles/">Articles</a></p>From SEEN AND HEARD INTERNATIONAL OPERA REVIEW By: Harvey Steiman The current production of Gershwin’s Porgy and Bess concluding its run at San Francisco Opera revels in the scope and scale of grand opera, the oversized emotions and big gestures, [...]]]></description>
		<wfw:commentRss>http://livingattheopera.com/blog/2009/06/27/gershwin-porgy-and-bess-2/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
	</channel>
</rss>

